{"title":"FRIEDL KJELLBERG","description":"\u003cdiv style=\"margin-top: 0px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e","products":[{"product_id":"rice-porcelain-oksa-bowl-fk-33","title":"RICE PORCELAIN \"OKSA\" COFFEE C\u0026S FK\/65 BOX SET","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was completed over a period of ten years, inspired by the Chinese \"firefly-hand\" porcelain that Friedl Kjellberg saw at the Museum of Applied Arts in Vienna in the early 1930s.\u003cbr\u003eThe openwork pattern is individually cut by hand with a special knife, then bisque fired at 800°C, glazed, and fired again at 1380°C, causing the cut-out areas to vitrify and the openwork pattern to emerge as light passes through.\u003cbr\u003eInitially, even small pieces took four days to produce as unique items, but after further research, a product series began to be manufactured from 1950.\u003cbr\u003eIt was exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003eIn Finnish, 'OKSA' means 'twig'.\u003cbr\u003eThe cut marks are 'ARABIA -F.H.Kj- FINLAND' (cup) and 'ARABIA -F.H.Kj-' (saucer).\u003cbr\u003eThis is a set of 6.\u003cbr\u003e*Probably dead stock. In very good condition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC162","offer_id":48595134218480,"sku":null,"price":66000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC162_1.jpg?v=1765878813"},{"product_id":"rice-porcelain-oksa-plate-fk-66","title":"RICE PORCELAIN \"OKSA\" PLATE FK\/66","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was inspired by Chinese \"rice grain porcelain\" that the artist saw at the Museum of Applied Arts in Vienna in the early 1930s and took 10 years to complete.\u003cbr\u003eThe openwork patterns are each cut by hand with a special knife by artisans, then bisque-fired at 800°C, glazed, and fired again at 1380°C, causing the cut-out parts to vitrify and the openwork patterns to appear when light passes through them.\u003cbr\u003eInitially, even small pieces were unique items that took four days to produce, but after further research, they began to be manufactured as a product series in 1950.\u003cbr\u003eIt was exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003e\"OKSA\" means \"twig\" in Finnish.\u003cbr\u003eThe cut mark is \"ARABIA -F.H.Kj- FINLAND\"\u003cbr\u003e*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv class=\"black-text-01\" style=\"margin-top: 48px;\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv class=\"black-text-01\" style=\"margin-top: 48px;\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC171","offer_id":48595154108656,"sku":null,"price":6600.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC171_1.jpg?v=1765879552"},{"product_id":"rice-porcelain-viiru-mug-fk-7","title":"RICE PORCELAIN \"VIIRU\" MUG FK\/7","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was inspired by Chinese \"rice grain\" porcelain that she saw at the Vienna Museum of Applied Arts in the early 1930s, and it took 10 years to perfect. Each openwork pattern is cut by hand by artisans using a special knife, then bisque-fired at 800°, glazed, and fired again at 1380°, causing the cut sections to vitrify and the openwork pattern to emerge through the light. Initially, even small pieces were unique items that took four days to produce, but after further research, they began to be manufactured as a product series from 1950. It was exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003e\"VIIRU\" means \"thread\" in Finnish.\u003cbr\u003eThe cut mark is \"ARABIA -F.H.Kj- FINLAND\"\u003cbr\u003e\n*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC187","offer_id":48595159679216,"sku":null,"price":15400.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC187_1.jpg?v=1765879851"},{"product_id":"rice-porcelain-bowl-fk-1","title":"RICE PORCELAIN BOWL FK\/1","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was inspired by Chinese \"hotarude\" (firefly) porcelain, which the creator saw at the Museum of Applied Arts in Vienna in the early 1930s, and it took 10 years to perfect.\u003cbr\u003eThe openwork patterns are individually cut by craftsmen using a special knife, then bisque-fired at 800°C, glazed, and fired again at 1380°C. This process vitrifies the cut areas, allowing light to pass through and making the openwork patterns stand out.\u003cbr\u003eInitially, even small pieces took four days to produce as unique items, but after further research, they began to be manufactured as a product series from 1950.\u003cbr\u003eIt was exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003eThis piece features a rare pattern.\u003cbr\u003eThe cut mark reads \"ARABIA -F.H.Kj- MADE IN FINLAND.\"\u003cbr\u003e*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv class=\"black-text-01\" style=\"margin-top: 48px;\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv class=\"black-text-01\" style=\"margin-top: 48px;\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC188","offer_id":48595162333424,"sku":null,"price":22000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC188_1.jpg?v=1765880046"},{"product_id":"rice-porcelain-oksa-bowl-fk-1","title":"RICE PORCELAIN \"OKSA\" BOWL FK\/1","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was completed over a period of 10 years, inspired by Chinese 'rice grain' porcelain that I saw at the Museum of Applied Arts in Vienna in the early 1930s.\u003cbr\u003eThe openwork pattern is cut out one by one by craftsmen using a special knife, then bisque-fired at 800°C, glazed, and fired again at 1380°C, causing the cut-out parts to vitrify and the openwork pattern to emerge through the light.\u003cbr\u003eInitially, even small pieces were unique items that took four days to produce, but after further research, they began to be manufactured as a product series from 1950.\u003cbr\u003eExhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003eIn Finnish, \"OKSA\" means \"twig.\"\u003cbr\u003e\nCut signature: \"ARABIA -F.H.Kj- MADE IN FINLAND\"\u003cbr\u003e\n*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC189","offer_id":48595163775216,"sku":null,"price":19800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC189_1.jpg?v=1765880238"},{"product_id":"rice-porcelain-lehti-bowl-fk-1","title":"RICE PORCELAIN \"LEHTI\" BOWL FK\/1","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was inspired by Chinese \"rice grain porcelain\" observed at the Museum of Applied Arts in Vienna in the early 1930s and took ten years to complete.\u003cbr\u003eThe openwork patterns are individually cut by craftsmen using special knives, then bisque-fired at 800°C, glazed, and fired again at 1380°C, causing the cut areas to vitrify and the openwork pattern to emerge through the light.\u003cbr\u003eInitially, even small pieces took four days to produce as unique items, but after further research, they began to be manufactured as a product series starting in 1950.\u003cbr\u003eIt was exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003eIn Finnish, \"LEHTI\" means \"leaf.\"\u003cbr\u003eThe cut mark is \"ARABIA -F.H.Kj- MADE IN FINLAND\"\u003cbr\u003e*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv class=\"black-text-01\" style=\"margin-top: 48px;\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv class=\"black-text-01\" style=\"margin-top: 48px;\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC190","offer_id":48595165937904,"sku":null,"price":19800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC190_1.jpg?v=1765880365"},{"product_id":"rice-porcelain-oksa-bowl-fk-68-with-black-foot-ring","title":"RICE PORCELAIN \"OKSA\" BOWL FK\/68 with BLACK FOOT RING","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was inspired by Chinese \"rice grain\" porcelain that Kjellberg saw at the Museum of Applied Arts in Vienna in the early 1930s and took ten years to complete.\u003cbr\u003eEach openwork pattern is individually cut by hand with a special knife, then bisque-fired at 800°C, glazed, and fired again at 1380°C, turning the cut-out parts into a glassy material that allows light to pass through and highlight the openwork pattern.\u003cbr\u003eInitially, even small pieces took four days to produce as unique items, but after further research, they began to be manufactured as a product series from 1950.\u003cbr\u003eIt was exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003eThis is a rare piece with a matte black-brown glazed foot.\u003cbr\u003e\"OKSA\" in Finnish means \"twig.\"\u003cbr\u003e\nThe cut signature is \"ARABIA -F.H.Kj- FINLAND\"\u003cbr\u003e\n*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC191","offer_id":48595168067824,"sku":null,"price":19800.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC191_1.jpg?v=1765880820"},{"product_id":"rice-porcelain-oksa-bowl","title":"RICE PORCELAIN \"OKSA\" BOWL","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was completed over a period of ten years, inspired by Chinese 'Hotalu-de' (firefly motif) porcelain, which the artist saw at the Museum of Applied Arts in Vienna in the early 1930s.\u003cbr\u003eThe openwork patterns are meticulously cut one by one by craftsmen using a special knife, then bisque-fired at 800°C, glazed, and fired again at 1380°C. This process vitrifies the cut areas, allowing light to pass through and making the openwork patterns stand out.\u003cbr\u003eInitially, even small pieces were unique items that took four days to produce, but after further research, they began to be manufactured as a product series from 1950.\u003cbr\u003eIt was exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003eThe cut mark is \"ARABIA -F.H.Kj- FINLAND.\"\u003cbr\u003e\n\"OKSA\" means \"branch\" in Finnish.\u003cbr\u003e\n*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC192","offer_id":48595332432112,"sku":null,"price":33000.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC192_1.jpg?v=1765881155"},{"product_id":"rice-porcelain-viiru-bowl-fk-34","title":"RICE PORCELAIN \"VIIRU\" BOWL FK\/34","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was inspired by Chinese \"rice grain\" porcelain that Friedl Kjellberg admired at the Museum of Applied Arts in Vienna in the early 1930s, and it took 10 years to perfect. The openwork patterns are individually cut by craftsmen using special knives, then bisque fired at 800°C, glazed, and fired again at 1380°C, causing the cut areas to vitrify and the openwork patterns to appear illuminated by light. Initially, even small pieces took four days to produce as unique works, but after further research, they began to be manufactured as a product series from 1950. It was exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003eThe cut mark is 'ARABIA -F.H.Kj- MADE IN FINLAND'.\u003cbr\u003e\n'VIIRU' means 'thread' in Finnish.\u003cbr\u003e\n*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC195","offer_id":48595360940272,"sku":null,"price":24750.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC195_1.jpg?v=1765881682"},{"product_id":"rice-porcelain-rivi-bowl-fk-34","title":"RICE PORCELAIN \"RIVI\" BOWL FK\/34","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was completed after 10 years of effort, inspired by the Chinese \"firefly\" porcelain that the artist admired at the Vienna Museum of Applied Arts in the early 1930s.\u003cbr\u003eEach openwork pattern is cut out by a craftsman using a special knife, then bisque-fired at 800°C, glazed, and fired again at 1380°C. The cut-out parts become vitreous, allowing light to pass through and making the openwork pattern appear.\u003cbr\u003eInitially, even small pieces took four days to produce as unique items, but after further research, they began to be manufactured as a product series in 1950.\u003cbr\u003eThe series was exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003eThe cut mark is 'ARABIA -F.H.Kj- MADE IN FINLAND'.\u003cbr\u003e\n'RIVI' means 'line' in Finnish.\u003cbr\u003e\n*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv style=\"margin-top: 48px;\" class=\"black-text-01\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC197","offer_id":48595469828336,"sku":null,"price":24750.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC197_1.jpg?v=1765881828"},{"product_id":"rice-porcelain-rivi-mocca-cup-fk","title":"RICE PORCELAIN \"RIVI\" MOCCA CUP FK","description":"\u003cdiv class=\"black-text-01\"\u003e\n\u003cp class=\"ex-text-01\"\u003eRice Porcelain was completed after 10 years of work, inspired by Chinese 'hotarude' (firefly-hand) porcelain that the artist saw at the Museum of Applied Arts in Vienna in the early 1930s.\u003cbr\u003eThe openwork patterns are individually cut by craftsmen using a special knife, then bisque-fired at 800°C, glazed, and fired again at 1380°C. The cut portions vitrify, allowing light to pass through and revealing the openwork pattern.\u003cbr\u003eInitially, these were unique pieces, with even small works taking four days to produce. However, after further research, they began to be manufactured as a product series starting in 1950.\u003cbr\u003eThey were exhibited at the Milan Triennale in 1951.\u003c\/p\u003e\n\u003cp class=\"ex-text-01\"\u003eThis is a rare 80ml mocha cup without a handle.\u003cbr\u003eThe cut mark reads \"ARABIA -F.H.Kj- MADE IN FINLAND\".\u003cbr\u003e\"RIVI\" means \"line\" in Finnish.\u003cbr\u003e*In very good condition with no noticeable damage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：FRIEDL KJELLBERG 基本コード --\u003e\n\u003cdiv class=\"black-text-01\" style=\"margin-top: 48px;\"\u003e\n\u003ch3\u003e\u003cstrong\u003eFRIEDL HOLZER-KJELLBERG｜1905–1993｜AUSTRIA\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFriedl Holzer-Kjellberg was an Austrian ceramic artist. After studying ceramics at an Austrian school of arts and crafts, she began her career at Arabia in 1924. She was among the early members of Arabia’s Art Department, which was organized by Kurt Ekholm in 1932 and fully established as a department when Ekholm became its director the following year. From 1948 to 1950, she also served as director of the department.\u003c\/p\u003e\n\u003cp\u003eDuring her 46 years at Arabia, Friedl Holzer-Kjellberg worked primarily as an artist in the Art Department while also contributing to the creation and development of her best-known work, Rice Porcelain. So successful was the series that a dedicated department was established for its production. After extensive experimentation throughout the 1930s, the first Rice Porcelain pieces were presented in 1942. Once the technique had been adapted for larger-scale production, the series was manufactured from 1950 to 1974 and came to be internationally recognized as one of Arabia’s defining artistic porcelains.\u003c\/p\u003e\n\u003cp\u003eHer work in the Art Department is distinguished by refined, understated forms inspired by Chinese ceramics, especially Song dynasty wares, and by elegant glaze effects such as celadon, oxblood, and peacock blue.\u003c\/p\u003e\n\u003cp\u003eHolzer-Kjellberg received a gold medal at the Brussels World’s Fair in 1935 and a silver medal at the Paris World’s Fair in 1937. At the Milan Triennale, she was awarded a silver medal in 1933 and a gold medal in 1954. In 1962, she was also awarded the Pro Finlandia Medal in recognition of her artistic achievements.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!-- 下段：ARABIA 基本コード --\u003e\n\u003cdiv class=\"black-text-01\" style=\"margin-top: 48px;\"\u003e\n\u003ch3\u003e\u003cstrong\u003eARABIA｜1873–｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eArabia was founded in 1873 in the Arabia district on the outskirts of Helsinki as a subsidiary of the Swedish ceramics manufacturer Rörstrand. Production began the following year in 1874. In 1916 Arabia separated from Rörstrand’s ownership and became an independent Finnish company.\u003c\/p\u003e\n\u003cp\u003eIn 1929 a tunnel kiln measuring 112 meters in length—one of the largest in the world at the time—was introduced, establishing an efficient mass-production system. This development enabled Arabia to grow into one of the leading ceramic factories in Europe.\u003c\/p\u003e\n\u003cp\u003eIn 1932 Kurt Ekholm was appointed Art Director and organized artistic activity at Arabia into a dedicated art department. He created an environment that allowed artists to work freely and established a structure in which product design and artistic works could develop side by side.\u003c\/p\u003e\n\u003cp\u003eOne of Arabia’s defining characteristics was its production system, which was divided into three closely connected fields: the Art Department, the Applied Arts Department, and the Product Design Department.\u003c\/p\u003e\n\u003cp\u003eArtists such as Toini Muona, Friedl Kjellberg, Michael Schilkin, Birger Kaipiainen, Rut Bryk, and Kyllikki Salmenhaara worked within the art department. Their works gained international recognition from the 1930s onward, playing an important role in both the cultural identity of Arabia and the development of Finnish ceramic art.\u003c\/p\u003e\n\u003cp\u003eIn the 1940s Friedl Kjellberg developed Rice Porcelain using a delicate pierced porcelain technique. Mass production began in 1950 and continued until 1974, becoming one of Arabia’s most iconic artistic porcelain series and gaining international acclaim.\u003c\/p\u003e\n\u003cp\u003eInfluenced by the rise of Functionalism in Northern Europe during the 1930s, Ekholm introduced the AR tableware series (Sinivalko) in 1935, presenting a new direction that would later shape the development of Nordic modern design.\u003c\/p\u003e\n\u003cp\u003eIn 1945 Kaj Franck joined Arabia as a designer. Together with designers such as Kaarina Aho and Ulla Procopé, he led a major renewal of product design. The Kilta series, introduced in 1953, became a major success as a modern tableware design characterized by simple geometric forms and versatility.\u003c\/p\u003e\n\u003cp\u003eArabia has received numerous international awards since the 1930s. In particular, at the Milan Triennale of the 1950s (1951, 1954, and 1957), many works from both the art department and the product designers were awarded prizes, establishing Arabia’s international reputation.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"FRIEDL KJELLBERG","offers":[{"title":"WHITE \/ FKRC199","offer_id":48595509248240,"sku":null,"price":9900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/FKRC199_1.jpg?v=1765881971"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/collections\/Collection_FHKJ.jpg?v=1774341060","url":"https:\/\/elephant-life.com\/en\/collections\/friedl-kjellberg.oembed","provider":"ELEPHANT","version":"1.0","type":"link"}