{"product_id":"srhp529","title":"ICE CREAM BOWL(CLEAR YELLOW) 1344","description":" \u003c!-- 上段：作品説明 --\u003e\n  \u003cdiv class=\"product-description__upper\"\u003e\n    \u003cp\u003e\n      Designed in 1952 and manufactured from 1952 to 1968.\u003cbr\u003e\n      This is one of the many stemware pieces she designed, an ice cream bowl with a plate-shaped foot to hold cutlery.\n    \u003c\/p\u003e\n\n    \u003cp\u003e\n      While the overall height and bowl diameter are almost the same, the sizes of individual parts differ, such as the height of the bowl, the thickness and length of the stem, the diameter of the disc-shaped decoration, and the diameter and angle of the rise of the plate.\u003cbr\u003e\n      The individual differences, despite being a product, are also one of its charms.\n    \u003c\/p\u003e\n\n    \u003cp\u003e\n      *In good condition with no noticeable damage.\n    \u003c\/p\u003e\n  \u003c\/div\u003e\n\u003c!-- 下段：Saara Hopea 基本コード（最新版・確定版） --\u003e\n\u003cdiv class=\"black-text-01\" style=\"margin-top:48px;\"\u003e\n  \u003ch3\u003e\u003cstrong\u003eSAARA HOPEA｜1925–1984｜FINLAND\u003c\/strong\u003e\u003c\/h3\u003e\n\n  \u003cp\u003eSaara Hopea was a Finnish designer active across a wide range of fields, with glass at the center of her work. She studied interior design at the Central School of Arts and Crafts in Helsinki. After graduation, she began her career as a furniture designer, and later worked at Taito as a draftsperson under Paavo Tynell.\u003c\/p\u003e\n\n  \u003cp\u003eIn 1951, at the invitation of Kaj Franck, she remained affiliated with Taito while working as a freelance interior designer on furniture and spatial design for the gallery and showroom of Wärtsilä, the parent company of Arabia and Nuutajärvi. The excellence of this work led to her appointment as a designer at Nuutajärvi in 1952.\u003c\/p\u003e\n\n  \u003cp\u003eTogether with Kaj Franck, she created numerous products and art pieces based on a shared idea of designing essential objects for a new postwar life. Her work also extended to packaging, logos, exhibition spaces, and enamelware for Arabia. For Nuutajärvi’s fish trademark, she was responsible for the final design based on a rough sketch by Kaj Franck, and her package designs were also highly regarded.\u003c\/p\u003e\n\n  \u003cp\u003eIn 1959, she left Nuutajärvi to take over her father’s workshop, but despite her short seven-year tenure, her achievements as a glass designer are highly regarded.\u003c\/p\u003e\n\n  \u003cp\u003eFrom 1959, she designed jewellery for the goldsmith studio Ossian Hopea. After her marriage in 1960, she moved to New York with her husband and also worked on enamel design. From 1963, she lived in Nepal and India, where she designed textiles and other works. She returned to Finland in 1967 and continued designing jewellery until 1982. Jewellery also became an important part of her career.\u003c\/p\u003e\n\n  \u003cp\u003eA rational design approach grounded in meticulous drawings, a refined sense of colour, and an outstanding talent expressed across a wide range of disciplines consistently define Saara Hopea’s work.\u003c\/p\u003e\n\n  \u003cp\u003eIn 1954 and 1957, she was awarded Silver Medals at the Milan Triennale.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SAARA HOPEA","offers":[{"title":"YELLOW \/ SRHP529","offer_id":48918874915056,"sku":null,"price":13200.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0786\/5761\/8160\/files\/SRHP529_1.jpg?v=1772185143","url":"https:\/\/elephant-life.com\/en\/products\/srhp529","provider":"ELEPHANT","version":"1.0","type":"link"}