VASE(BLUE GREY CARBORUNDUM) H516

This series, released in 1956, uses fine granular carborundum (silicon carbide), unlike techniques that create bubbles using potatoes or sawdust.
Carborundum is also used as an abrasive and has a hardness second only to diamond.
When mixed with glass, it does not evaporate and form bubbles, but rather remains embedded within the glass, creating a visual effect similar to small air bubbles (which are also present).
Additionally, while there are individual differences, the patchy, partial iridescent glow caused by light interference is a unique characteristic of this series.

The distinctive design with a disc-shaped top is presumed to be intended to further emphasize the sparkle of the carborundum.
Works using carborundum (with some exceptions such as gray and clear) have a unique form that does not come in other colors, and are rare due to their short production period.

This model was designed around 1956.
No cut signature.
*There is a spot on the disc-shaped top where a bubble burst.
*Our shop issues certificates of authenticity based on our accumulated experience.
The last image is an advertisement from 1956.

ERIK HÖGLUND｜1932–1998｜SWEDEN

Erik Höglund was one of Sweden’s most influential artists and designers. After studying sculpture at Konstfack in Stockholm, he began his career as a designer at Boda Glassworks in 1953, where he worked intensively for nearly two decades.

Drawing inspiration from various traditions and vernacular cultures, Höglund pursued forms that conveyed a strong sense of the human hand. Bubbles, distortions, and irregularities—often regarded as flaws in glassmaking—were instead embraced as integral elements of expression. Through this approach he transformed primitive qualities into modern design, opening new possibilities in glass art. His unconventional style initially provoked both praise and criticism, but through unwavering dedication and tireless work he gradually earned widespread recognition.

In 1957 he received the Lunning Prize, the most prestigious award in Nordic design at the time, becoming the youngest recipient at the age of twenty-five. The prize had previously been awarded to designers such as Hans J. Wegner, Tapio Wirkkala, Kaj Franck and Timo Sarpaneva. In the same year he also received a Silver Medal at the Milan Triennale, firmly establishing his international reputation and marking a turning point in his career.

His creative activities extended beyond glass. From the early 1960s he produced works combining wrought iron and glass as well as objects in wood. In 1968 he founded the design company “Backström & Höglund AB” together with Monica Backström, who was also a designer at Boda Glassworks and his partner at the time. The company designed furniture, household products and various other objects.

Throughout his life Höglund also created paintings and bronze works, and undertook commissions such as church wall decorations, furnishings, interior design and public monuments.

A glass factory artist appearing in the film “My Life as a Dog” by Swedish director Lasse Hallström is said to be modeled after Erik Höglund. In the film, the character reflects the period before Höglund gained widespread recognition.