Item No. ：SRHP397
Designer：Saara Hopea
Maker：Nuutajärvi
Size ：H:92mm φ:68mm
A lidded container designed in 1956 and manufactured from 1956 to 1960.
An art piece combining different materials: thick, heavy glass and thin, wide alpaca silver.
The contrast between the materials and their weight creates a sophisticated and high-quality appearance.
It features a structure where cylindrical glasses of the same diameter but different heights are stacked opening-to-opening, and the alpaca silver wrapped around the lid fixes them horizontally.
The cut signature reads "S. Hopea Nuutajärvi Notsjö -58."
Made in 1958.
It is in good condition with no noticeable damage.
Saara Hopea was a Finnish designer active across a wide range of fields, with glass at the center of her work. She studied interior design at the Central School of Arts and Crafts in Helsinki. After graduation, she began her career as a furniture designer, and later worked at Taito as a draftsperson under Paavo Tynell.
In 1951, at the invitation of Kaj Franck, she remained affiliated with Taito while working as a freelance interior designer on furniture and spatial design for the gallery and showroom of Wärtsilä, the parent company of Arabia and Nuutajärvi. The excellence of this work led to her appointment as a designer at Nuutajärvi in 1952.
Together with Kaj Franck, she created numerous products and art pieces based on a shared idea of designing essential objects for a new postwar life. Her work also extended to packaging, logos, exhibition spaces, and enamelware for Arabia. For Nuutajärvi’s fish trademark, she was responsible for the final design based on a rough sketch by Kaj Franck, and her package designs were also highly regarded.
In 1959, she left Nuutajärvi to take over her father’s workshop, but despite her short seven-year tenure, her achievements as a glass designer are highly regarded.
From 1959, she designed jewellery for the goldsmith studio Ossian Hopea. After her marriage in 1960, she moved to New York with her husband and also worked on enamel design. From 1963, she lived in Nepal and India, where she designed textiles and other works. She returned to Finland in 1967 and continued designing jewellery until 1982. Jewellery also became an important part of her career.
A rational design approach grounded in meticulous drawings, a refined sense of colour, and an outstanding talent expressed across a wide range of disciplines consistently define Saara Hopea’s work.
In 1954 and 1957, she was awarded Silver Medals at the Milan Triennale.
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